Since the inception of the Meditations on Space project in Zurich, Switzerland in September 1995, to the current state of the project in Toronto, the odyssey has spawned a modest collection of journal notations, drawn from almost 150 visits to galleries in Europe and North America. Yet, my particular anecdotal method of record making, was actually an afterthought. During a stay near Aix-en-Provence in France, I began experimenting with a visual documentation of the events – black, sparse linear brush strokes on white paper. I made a notebook these sketches and carried them through the Paris galleries.
