The Salon Exhibition at the Leon Rooke Residence

From the left: first image; Steve, Juliet, Phyllis, Gill. 2nd: Steve, 3rd: Someone Once Casually Remarked, all 2018, acrylic on dArt International paper, 21″ x 16″. Original photo by Leo Wei before system work and alteration.

After Fran Hill closed her gallery some years ago, there was some inevitability that the bug to exhibit would eventually poke out of its incubation. What hatched might have taken the form of the mythic salon. Think Gertrude Stein and brother Leo, Pablo Picasso, Henri Matisse, with spontaneous poetic recitals by Max Jacob and a random art critique by Apollinaire. What actually took place at novelist Leon Rooke’s residence was a cocktail party with art. I got a chance to air out 18 new works on dArt International paper. We made labels and printed price sheets. A few of the works sold at the opening. A neighbor, violinist Ryan Field, had kindly offered to perform during the event. The music turned out to a superb addition, unobtrusively weaving a soundtrack  into the various knots of conversation.

ryan field, violin at leon rooke salon
Violinist Ryan Field. Photo by Leo Wei.

All exhibited works were composed of a readily-available resource, dArt magazine back issues. It had taken me almost two years of paper-making to become comfortable with the process, testing out the look and quality of the thing, all-the-while getting some bugs out of the procedure, and eventually settling on  a standard size. The pulp would be tamped into a 21″ x 16″ mold. As the sheet dried, it inevitably shrank by a quarter of an inch or so, and needed a touchup. I won’t run out of pulp any time soon. After 20 years of publication, I have enough of certain editions to keep going for some time.

Some Background to the Event

Top from left: Fountain (Fractured), Take All the Pictures You Want, Julian Schnabel (Surfer). Bottom from left: Granary Lake Shoreline, The Alpha Point, Portent. All images 2018, acrylic and collage on dArt International paper, 21″ x 16″

Fran Hill used the old contact list from her gallery for the invitation only salon exhibition, getting a generally enthusiastic response from many of her former patrons. But as we know, the proof is always in the pudding. The people who end up showing up at these events are not always the ones who promised to be there. I was happy, however,  to see critic Earl Miller, whom I had not seen for some years. Earl had figured prominently into the very earliest Steve Rockwell efforts. He had been a friend of Tom Gottlieb of the Arnold Gottlieb Gallery, who hosted the first Steve Rockwell exhibit in January 1989. When I set out to publish my Meditations on Space, Earl provided the introduction.

earl miller, steve rockwell salon show
Art critic Earl Miller in a photo by Leo Wei.

The Salon Exhibition at the Leon Rooke Residence

From the left: first image; Steve, Juliet, Phyllis, Gill. 2nd: Steve, 3rd: Someone Once Casually Remarked, all 2018, acrylic on dArt International paper, 21″ x 16″. Original photo by Leo Wei before system work and alteration.

After Fran Hill closed her gallery some years ago, there was some inevitability that the bug to exhibit would eventually poke out of its incubation. What hatched might have taken the form of the mythic salon. Think Gertrude Stein and brother Leo, Pablo Picasso, Henri Matisse, with spontaneous poetic recitals by Max Jacob and a random art critique by Apollinaire. What actually took place at novelist Leon Rooke’s residence was a cocktail party with art. I got a chance to air out 18 new works on dArt International paper. We made labels and printed price sheets. A few of the works sold at the opening. A neighbor, violinist Ryan Field, had kindly offered to perform during the event. The music turned out to a superb addition, unobtrusively weaving a soundtrack  into the various knots of conversation.

ryan field, violin at leon rooke salon
Violinist Ryan Field. Photo by Leo Wei.

All exhibited works were composed of a readily-available resource, dArt magazine back issues. It had taken me almost two years of paper-making to become comfortable with the process, testing out the look and quality of the thing, all-the-while getting some bugs out of the procedure, and eventually settling on  a standard size. The pulp would be tamped into a 21″ x 16″ mold. As the sheet dried, it inevitably shrank by a quarter of an inch or so, and needed a touchup. I won’t run out of pulp any time soon. After 20 years of publication, I have enough of certain editions to keep going for some time.

The dArt Burger

Minced dArt, 2011, meat grinder with shredded sArt magazine pages
Minced dArt, 2011, meat grinder with shredded sArt magazine pages

We eat with our eyes as much as our stomachs. Food and visual art share a profound history throughout the ages. Ten years before launching dArt International magazine, publisher Steve Rockwell served an actual sandwich as art at the Arnold Gottlieb Gallery in Toronto. Then as now, he exhibited collage works along with his food creation. James Chatto, then food critic with Toronto Life Magazine liked the collage works, but also deemed the edible offering a “first-rate sandwich” in his review in the gourmet section of Toronto Life. Rockwell created a subject for his collages that might be consumed by both eye and stomach. Here at De Luca Fine Art, by making an art magazine the subject, he links reading and eating, delivering a reader’s and eater’s digest, if you will.

Last year the Steve Rockwell Sandwich celebrated its twenty-first birthday in an exhibition at the Fran Hill Gallery. Restaurant owner, Saeed Mohamed of BQM, the Burger Shoppe, came by to view and to sample. The reviews were positive, and he was inspired to begin work on a new menu selection for his restaurants. De Luca Fine Art, Steve Rockwell, and BQM, are now pleased to present “The dArt Burger!”

Contact

Steve Rockwell

750A St. Clair Avenue West

Toronto, Ontario, Canada

McC 1B5

steve@dartmagazine.com

Tel: 647-909-9348